No. 6 (2002): Musik, Film, Bühne und Kunst

• Editorial

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Schwerpunkt

• Different Modes of Expression: Subtle Offensives

  Ella Jasiowka

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• On Speaking about the Unspeakable and Seeing the Invisible or: The Search for Lost Entirety

  Maria Marchetta

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• An Encyclopedia of Lesbians in Film by Daniela Sobek

  Karin Windt

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• Ethnographic Film and the Representation of Women

  Judith Keilbach

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• Female Nomads of the Theatre

  Christel Weiler

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• The Return of the Body

  Heide Palmer

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• The Body as Cultural Producer

  Verena Kuni

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• The Role of Music in Concentration Camps

  Gabriele Knapp

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• The Woman on Corbusier’s Reclining Chair

  Silke Förschler

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• The Woman Artist at Work. Lu Märten’s up-to-date Reflections on the Economy of the Nameless Genius

  Verena Kuni

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Offener Teil

• Women’s Education Beyond Compulsive Femininity: Theory and Practice

  Nicola Döring

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• Alice Salomon

  Sabine Hering

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• Queer—Genealogy of a troublemaking term

  Birgit Müller

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• Breaking the Spell of an Icon: Annette Schlichter’s Dissertation on Female Insanity

  Claudia Hauser

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• Women Activists and Civil Society in Russia

  Ilka Borchardt

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• Feminism and Motherhood

  Sabine Hering

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• Innocent Perpetrators, Guilty Victims—Constructions of Sexualised Violence between 1870 and 1914

  Hania Siebenpfeiffer

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• The Maleness of the Military as a Dominant Culture in Israel

  Ellen Krause

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• Foreign Correspondents

  Gabriele Kammerer

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Forum

• 52. Berlinale 2002 – Rückkehr des Politischen und Frauen verändern die Welt

  Maria Marchetta

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