Women on the Move

Authors

  • Sylvia Mieszkowski München/Ludwig-Maximilians-Universität/Department für Anglistik und Amerikanistik

DOI:

https://doi.org/10.14766/203

Keywords:

Film, Raum, Reisen, Geschlecht, Gender

Abstract

Just recently, a “topographical turn“ in cultural studies was diagnosed. Amelie Soykas’ analysis of film studies is part of this theoretical context. Drawing on Ridley Scott’s Thelma & Louise and Edward Zwick’s Leaving Normal, Soykas attempts to trace the mechanisms of mutual constitution and influence of genre, space, and gender in the dynamics of their interaction with each other.

Downloads

Published

2003-07-01

Issue

No. 10 (2003): Kindheit und Jugend

Section

Offener Teil

License

Copyright (c) 2003 Sylvia Mieszkowski

Authors retain the copyright of their texts. There is no exclusive copyright transfer to querelles-net.

 From 2009 on, articles at querelles-net have been published under the terms of a CC BY license:

from 2009-2015 the license Creative Commons Attribution 3.0; from 2016 the license Creative Commons Attribution 4.0. These licenses allow users to freely use the texts published here, if the author and place of first publication are given. The uses covered by this license do not require separate consent on the part of the authors.

For texts published before 2009, usually no Creative Commons license was given. These texts are freely available, but further uses need to be permitted by the authors.

 We encourage our authors to publish their texts in other places as well, e.g. repositories.