Anagrams and Other Language Games—On the Work of Unica Zürn

Authors

  • Agnieszka Vojta Universität Konstanz, Fachbereich Literaturwissenschaft

DOI:

https://doi.org/10.14766/332

Keywords:

Bildende Kunst, Biografie, Literatur, Neuzeit, Geschlecht, Gender

Abstract

Unica Zürn (born in 1916; suicide in Paris in 1970) has rarely been received in scholarship as an independent artist. She is seen as Hans Bellmer’s companion. She functions as a muse in this context, as a living embodiment of his dolls. In her dissertation, Helga Lutz pleads for an examination of Utica Zorn’s work, “removed from the coordinate plane of the biography and the premises of insanity” (169).

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Published

2005-03-03

Issue

No. 15 (2005): Offenes Heft

Section

Offener Teil

License

Copyright (c) 2005 Agnieszka Vojta

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