From Ready-Made to Surrealism: The Legend of the Artist Reexamined

Authors

  • Sigrid Nieberle Universität Greifswald, Institut für Deutsche Philologie

DOI:

https://doi.org/10.14766/369

Keywords:

Beruf, Bildende Kunst, Film, Neuzeit, Geschlecht, Gender

Abstract

Until now, the constitution of the artist in the connection between masculinity and creativity has presented itself as the aesthetic norm from which only women could stray. The collection edited by Martina Kessel on the construction of masculinity in the early 20th century shows how the legend was produced in the different arenas of art. She thus creates a new perspective on the ruptures and discontinuities in this specific masculinity.

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Published

2005-11-09

Issue

No. 17 (2005): Geschichte

Section

Schwerpunkt

License

Copyright (c) 2005 Sigrid Nieberle

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