Aesthetic and Artistic Purchasing Incentives in Late Imperial Germany and During the First World War: Advertizing Posters 1890-1918

Authors

  • Cord Arendes Ruprecht-Karls-Universität Heidelberg, Zentrum für Europäische Geschichts- und Kulturwissenschaften (ZEGK), Historisches Seminar/Lehrstuhl für Zeitgeschichte

DOI:

https://doi.org/10.14766/415

Keywords:

Ästhetik, Bildende Kunst, Neuzeit, Repräsentation, Medizin Werbung, Geschlecht, Gender

Abstract

The great speed of industrial development led to a never before seen rise in the production of goods during the second half of the nineteenth century. By the turn of the century a massive and thereby profitable sale of goods was no longer an effortless achievement. The appeal to consumers, however, was approached with a much higher aesthetic standard and with great craftsmanship compared to today’s tactics. Well-known graphic designers and artists created advertising posters that have a timeless appeal. The convergence of advertising and art through the medium of the poster paired with social upheaval also produced a particular image of the woman.

Published

2006-03-08