Review of: Uta Fenske: Mannsbilder. Eine geschlechterhistorische Betrachtung von Hollywoodfilmen 1946–1960. Bielefeld: transcript Verlag 2008.
DOI:
https://doi.org/10.14766/770Keywords:
Film, Männlichkeit, Repräsentation, Geschlecht, GenderAbstract
Uta Fenske’s dissertation examines concepts of masculinity in classic 1950s Hollywood films. The historian thus looks back to an era of US history in which sociocultural upheavals led to a disturbance of traditional images of masculinity and to a discourse of crisis of the modern man. Fenske’s examination, informed by cultural studies, distinguishes itself in two different ways. Firstly, through the unorthodox choice of its object of inquiry the study expands the corpus of historical sources. Secondly, through recourse to a variety of genres it can show that the Hollywood films of the 1950s offer a greater richness of answers to the crisis than heretofore assumed.Downloads
Published
Issue
Section
License
Copyright (c) 2009 Asokan Nirmalarajah
This work is licensed under a Creative Commons Attribution 3.0 Unported License.
Authors retain the copyright of their texts. There is no exclusive copyright transfer to querelles-net.
From 2009 on, articles at querelles-net have been published under the terms of a CC BY license:
from 2009-2015 the license Creative Commons Attribution 3.0; from 2016 the license Creative Commons Attribution 4.0. These licenses allow users to freely use the texts published here, if the author and place of first publication are given. The uses covered by this license do not require separate consent on the part of the authors.
For texts published before 2009, usually no Creative Commons license was given. These texts are freely available, but further uses need to be permitted by the authors.We encourage our authors to publish their texts in other places as well, e.g. repositories.