Heterotopie aus Fakt und Fiktion. Beispiel Venedig
DOI:
https://doi.org/10.14766/779Keywords:
Raum, Körper, Architektur, Literatur, Kultur, Rollen, Geschlecht, GenderAbstract
Heterotopia are spatial challenges to social order. They are energized not only by real spatial conditions but also by established ascriptions. The example of Venice displays the entanglement and efficacy of the interplay between a specific spatial order and venerable images. The aesthetic realization of the image of the city in Rilke’s New Poems (“Venice Morning” (1908), “The Courtesan” (1907)) and in Madonna’s music video “Like a Virgin” (1984) accentuates the manner in which city space is related to the female body and proves once more the importance of using a conscious approach to Foucault’s concept of heterotopia.
Downloads
Published
2009-10-22
Issue
Section
Forum
License
Copyright (c) 2009 Wiebke Amthor
This work is licensed under a Creative Commons Attribution 3.0 Unported License.
Authors retain the copyright of their texts. There is no exclusive copyright transfer to querelles-net.
From 2009 on, articles at querelles-net have been published under the terms of a CC BY license:
from 2009-2015 the license Creative Commons Attribution 3.0; from 2016 the license Creative Commons Attribution 4.0. These licenses allow users to freely use the texts published here, if the author and place of first publication are given. The uses covered by this license do not require separate consent on the part of the authors.
For texts published before 2009, usually no Creative Commons license was given. These texts are freely available, but further uses need to be permitted by the authors.We encourage our authors to publish their texts in other places as well, e.g. repositories.
