Review of: Kirsten Möller, Inge Stephan, Alexandra Tacke (Hg.): Carmen. Ein Mythos in Literatur, Film und Kunst. Köln u.a.: Böhlau Verlag 2011.
DOI:
https://doi.org/10.14766/969Keywords:
Film, Literatur, Geschlecht, GenderAbstract
This anthology presents current studies about the Carmen myth in literature, film, art, and music culture from a gender-specific, a transmedial, as well as a transcultural perspective. The thesis that Carmen can be understood as the product of the bricolage of myths and as an object of projection for primarily male coded fictions of exoticism and alterity functions as the common methodological premise of the volume. Filmic, literary, pictorial, musical, and performative realizations of the Carmen myth from the 19th to the 21st century illustrate the continuities and discontinuities in dealing with the myth.
Downloads
Published
2011-09-01
Issue
Section
Rezensionen
License
Copyright (c) 2011 Uta Felten
This work is licensed under a Creative Commons Attribution 3.0 Unported License.
Authors retain the copyright of their texts. There is no exclusive copyright transfer to querelles-net.
From 2009 on, articles at querelles-net have been published under the terms of a CC BY license:
from 2009-2015 the license Creative Commons Attribution 3.0; from 2016 the license Creative Commons Attribution 4.0. These licenses allow users to freely use the texts published here, if the author and place of first publication are given. The uses covered by this license do not require separate consent on the part of the authors.
For texts published before 2009, usually no Creative Commons license was given. These texts are freely available, but further uses need to be permitted by the authors.We encourage our authors to publish their texts in other places as well, e.g. repositories.
